Sean Trane
Having left the Impulse! label, Szabo signed for the more obscure Blue Thumb label to release a fairly uninteresting string of albums, including the present 1969, which you guessed it, was released that very same year. Despite the exuberant turning of the decade era, Gabor seemed to miss out on the power and demented freedom of the times. Despite a promising almost-Folon inner sleeve artwork, it seems that the west-coast soft-jazz spirit had overwhelmed him, and musicians like bassist Kabok and drummer Keltner seemed to dominate the potential power of the organ, played by Melvoin.
Yes, we’re definitely in a west-coast jazz, not too far from what the CTI label would make its bread and bitter in the following years. Little wonder that Gabor would also release albums for that label a few years later. But for the present, we’re dealing with low-energy jazz-pop, sometimes reminiscent of rearranged Beatles tunes (doh!!!) that would fit supermarket or elevator background music. The only time the album comes alive, is in the album-closing raga-esque and aptly-titled Somewhere I Belong. Indeed Gabor, too bad it took you a whole album to return to your natural grounds. A real snoozefest and IMHO, best avoided, though its main merit is that it won’t irritate more your eardrums than your discernment.